Most Movies Are Like This

I came up with this theory on the way home from school today. Most movies are exciting, but vary in depth at different times of the movie. I found that most movies have this trend.

The movies of the late twentieth century and the twenty first century are mostly like this. A small climax and then right onto a bigger, huge one — most of the times without you realizing that’s the main climax until it gets serious. Is this interesting for viewers though? I would like to think that if a movie suddenly jumped up in the beginning and got me all perked up, and then have a really sloppy plot that doesn’t grow much in terms of excitingness, then I would say that movie sucks. But how would it get me perked up AND not disappointed?

That would be really interesting. But somehow I realized that won’t be possible, as you can’t go back in time and add a more exciting part to a plot. Oh wait, why can’t you? Technically, that graph should be a function (by definition having only one point on the y-axis for each point on the x-axis, but not necessarily vice versa). Ah-ha, but that’s for a 2d graph.

Movie plots seem to only have one perspective and one vision. Isn’t that too limited? I’d really like to see a movie that has a really interesting way of telling the story. I’m already sick of most of the drama movies. That’s why mystery ones are still on my list — they don’t reveal the plots.

Gonna watch Mr. & Mrs. Smith later. Hopefully it won’t be as bad as I described here.

post a comment9 Comments

  1. 1June 18th, 2005Mathias Bynens says

    You’re funny.

    Though mathematically incorrect, your second graph actually makes sense!

    But somehow I realized that won’t be possible, as you can’t go back in time and add a more exciting part to a plot. Oh wait, why can’t you?

    In fact, you can. In movies, there’s stuff like flashbacks. Hell, there even are flashforwards. Movies are like the Real Life — not mathematics.

    (Whilst reading your post, Pulp Fiction so comes to mind.)

  2. 2June 18th, 2005Oliver Zheng says

    Flashbacks usually bring in a setback for the plot, which loses viewer interest. But I definitely did like how Kill Bill implemented that kind of effect.

  3. 3June 19th, 2005Josh says

    Wow, that was probably the most confusing thing I’ve ever read in my life. You’re not in high school any more, quit using your brain!

  4. 4June 19th, 2005Ivy says

    flashbacks are bad eh? well ur gonna hate mr/mrs smith then. lol. well one vision movies can be interesting. (Matrix for example) Making movies is an art and art always has hidden agendas and messages. So yes some movies can be boring on the surface but uncovering the hidden agenda is the “kick” of watching them. Star Wars has that. And Mr/Mrs Smith has it too! :)

  5. 5June 19th, 2005Dave says

    Hmm different. Flashbacks are only good when used effectively. But how on earth your comparing movies with maths is beyond me

  6. 6June 19th, 2005Ivy says

    actually those graphs aren’t math. they are part of literature too. there are the plot graphs in lit class. Only difference is that those lit graphs always come in a shape of a mountain. But Oliver’s graphs have some point to it. We don’t have the x and y axes tho. our x axis would be time and our y axis the how the plot’s excitemenet and not the audience’s excitement. So it always works like this: http://virtual.park.uga.edu/cdesmet/class/engl4830/work/projects/siak/plotchart.GIF

  7. 7June 20th, 2005vince says

    your site looks like p00 on my imac with ie 5

  8. 8June 20th, 2005Oliver Zheng says

    If you use still use IE5, you don’t deserve to view this page :P

  9. 9June 21st, 2005satoshi says

    pwned!

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